{"id":5934,"date":"2026-03-30T03:49:44","date_gmt":"2026-03-30T03:49:44","guid":{"rendered":"https:\/\/bookloves.com\/?p=5934"},"modified":"2026-03-30T03:49:44","modified_gmt":"2026-03-30T03:49:44","slug":"more-than-friends-by-kat-singleton","status":"publish","type":"post","link":"https:\/\/bookloves.com\/?p=5934","title":{"rendered":"More than Friends by Kat Singleton"},"content":{"rendered":"<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">There is a particular kind of romantic tension that lives in borrowed T-shirts, shared wine glasses, and babies who fall asleep on the wrong person\u2019s chest. Kat Singleton knows exactly how to build it \u2014 and in <em>More than Friends by Kat Singleton<\/em>, the third book in the Pembroke Hills series, she constructs it with a patience and intimacy that earns every accelerating heartbeat.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">The Setup That Changes Everything<\/h2>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Charlotte Davies is twenty-four, working as a bev cart girl at Pembroke Hills Country Club in the Hamptons, and freshly homeless. Her landlord has found summer renters willing to pay full price, and she has days to figure out where to go. Jude Kensington \u2014 billionaire, consummate charmer, and her best friend for almost a year \u2014 has a sprawling Hamptons home and entirely too many guest rooms. He offers to take her in. She says no. She shows up at his door with a dusty bottle of wine anyway.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">That night, wine and candlelight do what months of carefully maintained friendship couldn\u2019t. A kiss happens \u2014 brief, barely real, easy enough to blame on the wine. And then the morning arrives, and Jude opens his front door to find a woman from his past standing on the step with a car seat. His daughter. Four months old. Named Ava.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">The Deal, the Baby, and the Problem with Convenience<\/h2>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The stroke of plotting genius in <em>More than Friends by Kat Singleton<\/em> is the timing. Charlotte needs a place to live. Jude, now unexpectedly sole caretaker of an infant he knew nothing about, desperately needs someone who knows the difference between a three-month onesie and a six-month one. What begins as mutual convenience \u2014 she gets a room, he gets a sanity anchor \u2014 slides, with aching slowness, into something neither of them can name safely.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">What makes this work is not the situation but the character depth Singleton pours into both leads. Jude, famously the playboy of Pembroke Hills, is not simply charmed into fatherhood \u2014 he is undone by it. His first hours alone with Ava are rendered with a vulnerability that recalibrates everything the reader might assume about him. He doesn\u2019t know how to make a bottle. He can\u2019t figure out how to unfasten the car seat buckle. And he calls Charlotte fifteen times in one hour, not because he\u2019s helpless, but because she is, already, the person he thinks of when everything feels unmanageable. Singleton captures that distinction beautifully: the difference between needing help and needing one specific person.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Charlotte is a fully realized character whose ambitions and insecurities exist independently of the romance. Her dream of opening a photography business, her <a href=\"https:\/\/time.com\/4286120\/siblings-day-success-career\/\" target=\"_blank\" rel=\"noopener\">complicated feelings about being the youngest and least traditionally successful of her siblings<\/a>, her warmth and stubbornness \u2014 all of it is present and consistent. She never becomes a supporting character in her own love story. That\u2019s rarer in the genre than it should be.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">The Pembroke Hills World, Expanded<\/h2>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Readers who have followed the series from the beginning \u2014 starting with <a href=\"https:\/\/bookclb.com\/in-good-company-by-kat-singleton\/\"><em>In Good Company<\/em><\/a>, Cal and Lucy\u2019s story, and continuing through <a href=\"https:\/\/bookclb.com\/bad-for-business-by-kat-singleton\/\"><em>Bad for Business<\/em><\/a>, Ryker and Camille\u2019s enemies-to-lovers spiral \u2014 will find the Hamptons world of <em>More than Friends<\/em> richly populated and warmly familiar. Lucy and Cal arrive a week early and walk into something nobody warned them about. The scene where they meet Ava is one of the book\u2019s highlights, mixing genuine comedy with real tenderness. Singleton is skilled at ensemble work: the friendships in this series feel like friendships, not plot scaffolding.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">For newcomers, the world is accessible. Each book functions as a standalone, though the satisfaction of watching these relationships layer and compound rewards those who have read from the start. The fourth installment, <em>Long Story Short<\/em>, looms on the horizon \u2014 and <em>More than Friends<\/em> teases what\u2019s coming without losing focus on its own story.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">The Slow Burn, Examined Honestly<\/h2>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\">What Works<\/h4>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The slow burn in <em>More than Friends by Kat Singleton<\/em> is genuinely earned. Singleton is disciplined about it. There are no manufactured misunderstandings designed to stretch the tension artificially \u2014 the obstacles are real. Jude\u2019s new responsibilities. Charlotte\u2019s fear of crossing a line she can\u2019t uncross. The fact that they share a home, a baby, and a growing intimacy that already feels like more than friendship without anyone having to say it out loud.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The domestic detail is where Singleton shines brightest. The moments where Charlotte quietly rocks Ava to sleep, or Jude figures out the Pack \u2018n Play directions only after forty-five minutes of stubborn refusal, or they share a glass of wine after successfully putting the baby down \u2014 these scenes do the heavy lifting. Singleton understands that sustained romantic longing is built from accumulated small moments, not grand declarations.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h4 class=\"text-text-100 mt-2 -mb-1 text-base font-bold\">Where It Strains<\/h4>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">At roughly 400 pages, <em>More than Friends<\/em> occasionally shows the seams of its extended word count. The middle third, while emotionally rich, loses narrative momentum as the book settles into a rhythm of domestic routine interrupted by charged glances. Certain beats feel repeated rather than deepened. Charlotte\u2019s internal monologue revisits the same conflict enough times that even invested readers may wish the story would move her forward more decisively.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The question of Ava\u2019s mother and the circumstances of her abandonment also deserves fuller weight. It is handled with compassion, but given how dramatically it reshapes Jude\u2019s life, the emotional processing on his end feels slightly compressed.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">What Kat Singleton Does Best<\/h2>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Singleton\u2019s prose is conversational and immediate \u2014 it moves the way people actually think, catching itself mid-sentence, returning to things, noticing small details that accumulate meaning. She has a gift for capturing the particular humor of two people who know each other well enough to be ridiculous together: the Go Fish game played over three bottles of wine, the running commentary on Jude\u2019s charm that Charlotte delivers while being completely charmed by him.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Her previous work, including the Black Sheep series, showed a consistent interest in characters who build walls around the things they want most and then find themselves surrounded by someone who makes those walls feel unreasonable. <em>More than Friends by Kat Singleton<\/em> continues that tradition with confidence. She writes attraction as something cumulative rather than instantaneous \u2014 a harder and more rewarding thing to do.<\/p>\n<\/div>\n<\/div>\n<div>\n<h2 class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\"><span>The Verdict<\/span><\/h2>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\"><em>More than Friends by Kat Singleton<\/em><span> is a warm, emotionally generous, and often genuinely funny contemporary romance anchored by two protagonists readers will be reluctant to leave. The slow burn is slow, but it burns. The baby subplot, far from being a gimmick, gives the romance a dimension most books in the genre don\u2019t attempt \u2014 a tenderness that bleeds into the love story and makes the stakes feel real.<\/span><\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">It is not a perfect book. The pacing sags in places, and some emotional territory is revisited more than necessary. But its imperfections are the imperfections of a book that cares too much rather than too little. Singleton knows these characters thoroughly, and it shows.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">For readers who have loved the Pembroke Hills world, this is essential. For those arriving new, it is a confident and deeply felt introduction to a writer who understands that the best romances are not about falling in love but about realizing \u2014 too slowly, too late, exactly on time \u2014 that you already have.<\/p>\n<\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\"><span>If You Loved This, Read These<\/span><\/div>\n<\/div>\n<div>\n<div class=\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3\">\n<p><strong>The Proposal<\/strong> by Vi Keeland \u2014 sharp, tension-filled forced proximity with equally matched protagonists<br \/>\n<a href=\"https:\/\/bookclb.com\/people-we-meet-on-vacation-by-emily-henry\/\"><strong>People We Meet on Vacation<\/strong><\/a> by Emily Henry \u2014 friends to lovers across years, rendered with precision and longing<br \/>\n<strong>The Friend Zone<\/strong> by Abby Jimenez \u2014 emotional and warm, with the same balance of humor and heartbreak<br \/>\n<a href=\"https:\/\/bookclb.com\/beach-read-by-emily-henry\/\"><strong>Beach Read<\/strong><\/a> by Emily Henry \u2014 dual-POV slow burn set in a temporary shared space<br \/>\n<strong>The Wrong Mr. Right<\/strong> by Erin McCarthy \u2014 a single-dad romance with genuine emotional grounding<br \/>\n<strong>One Last Stop<\/strong> by Casey McQuiston \u2014 witty and full of the kind of yearning that makes you ache<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>There is a particular kind of romantic tension that lives in borrowed T-shirts, shared wine glasses, and babies who fall asleep on the wrong person\u2019s chest. Kat Singleton knows exactly how to build it \u2014 and in More than Friends by Kat Singleton, the third book in the Pembroke Hills series, she constructs it with [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5934","post","type-post","status-publish","format-standard","hentry","category-bookreviews"],"_links":{"self":[{"href":"https:\/\/bookloves.com\/index.php?rest_route=\/wp\/v2\/posts\/5934"}],"collection":[{"href":"https:\/\/bookloves.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bookloves.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/bookloves.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5934"}],"version-history":[{"count":0,"href":"https:\/\/bookloves.com\/index.php?rest_route=\/wp\/v2\/posts\/5934\/revisions"}],"wp:attachment":[{"href":"https:\/\/bookloves.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bookloves.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bookloves.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}