Veteran film writer McBride clearly esteems Cukor’s “rich, multifaceted, deeply personal” worldview as expressed in his oeuvre. He ascribes Cukor’s masterful conveyance of nuance in human behavior, of subtext, to the director’s own “double life”—Cukor’s outsider status as a “partially closeted” gay man, a son of Hungarian Jewish immigrants. McBride appraises Cukor’s craft throughout his […]
GEORGE CUKOR’S PEOPLE
