In an age where we’re constantly wondering about the paths not taken, Taylor Jenkins Reid’s Maybe in Another Life arrives as both a comforting embrace and a fascinating thought experiment. This isn’t just another romance novel about finding your soulmate—it’s a sophisticated exploration of how the smallest decisions can reshape entire lives, wrapped in Reid’s signature blend of emotional authenticity and compelling storytelling.
The Premise That Changes Everything
Twenty-nine-year-old Hannah Martin stands at the crossroads that will define her entire novel’s structure. Fresh off a painful breakup and returning to Los Angeles after years of drifting through cities, she finds herself in a bar with her best friend Gabby when her high school boyfriend Ethan offers her a ride home. In that moment of hesitation—stay or go—Reid splits her narrative into two parallel universes, each exploring the profound consequences of Hannah’s choice.
What makes this concept particularly brilliant is how Reid doesn’t treat the parallel storylines as mere gimmick. Instead, she uses them to examine the fundamental questions that haunt many of us: Do soulmates exist? Is our destiny predetermined? How much control do we really have over our happiness?
Character Development Across Two Worlds
Hannah Martin: A Heroine in Search of Home
Hannah emerges as one of Reid’s most relatable protagonists—a woman who embodies the quarter-life crisis extending well into her late twenties. Her constant relocations and job-hopping reflect a deeper search for belonging that transcends geography. Reid crafts Hannah with remarkable consistency across both storylines while allowing her to grow in distinctly different directions.
In the Ethan timeline, Hannah confronts immediate consequences when a tragic car accident forces her to face mortality, loss, and the meaning of family. Her journey becomes one of physical and emotional rehabilitation, finding strength she didn’t know she possessed. The heartbreaking subplot involving her miscarriage demonstrates Reid’s unflinching approach to difficult subjects, refusing to romanticize tragedy while acknowledging the complex emotions surrounding unexpected loss.
In the Henry timeline, Hannah’s path unfolds more gradually. Her relationship with Henry, the compassionate night nurse, develops from shared vulnerabilities and small gestures—like his habit of leaving her chocolate pudding. This storyline allows Hannah to explore love as a choice rather than destiny, building a relationship founded on mutual respect and genuine compatibility.
The Men Who Shape Two Destinies
Ethan represents the allure of rekindled romance and shared history. Reid avoids painting him as either villain or savior, instead presenting a man who genuinely loves Hannah but brings his own complexities. His relationship with his ex-wife and daughter Gabriella adds layers of reality that prevent the story from becoming overly simplified.
Henry embodies the unexpected love that grows from genuine connection. His character challenges the notion that passion must be immediate and overwhelming. Through his patient care of Hannah and their gradual emotional intimacy, Reid argues that some of the deepest loves are built rather than struck like lightning.
Gabby: The Constant in Both Worlds
Perhaps no character demonstrates Reid’s skill more than Gabby, Hannah’s best friend who remains a pillar of strength across both timelines. Her own marital struggles with Mark provide a subplot that resonates with authenticity. Gabby’s evolution from someone trying too hard to be politically correct to a woman finding her own strength serves as a masterclass in character development.
The Art of Parallel Storytelling
Reid’s greatest technical achievement lies in maintaining narrative momentum across two storylines without either feeling incomplete or redundant. The alternating chapters create a natural rhythm that keeps readers invested in both outcomes. More impressively, she ensures that neither timeline feels like the “lesser” option—both present compelling arguments for different types of happiness.
The author demonstrates remarkable restraint in avoiding the temptation to make one ending obviously superior. Instead, she presents two different philosophies of love and life: one grounded in shared history and passionate reunion, the other built on newfound connection and chosen family.
Thematic Depth Beneath Romance
While marketed as romance, Maybe in Another Life grapples with profoundly philosophical questions. Jesse’s wedding speech about multiverse theory provides the novel’s thematic anchor, suggesting that every possible outcome exists somewhere in the infinite expanse of reality. This concept elevates the story beyond simple wish fulfillment into genuine contemplation of fate versus free will.
The novel also examines modern relationships with unusual honesty. Hannah’s struggle to find her place in the world reflects broader millennial anxieties about career, family, and belonging. Reid doesn’t offer easy answers but instead suggests that happiness might look different for different versions of ourselves.
Reid’s Evolving Literary Voice
Following her earlier works Forever, Interrupted and After I Do, Reid demonstrates growing confidence in tackling complex narrative structures. Her prose remains accessible without sacrificing emotional depth, and she displays increasing willingness to explore uncomfortable truths about love and loss.
The dialogue feels natural and unforced, particularly in intimate moments between Hannah and her love interests. Reid has a gift for capturing the small gestures and quiet conversations that define real relationships—from Henry’s chocolate pudding offerings to Ethan’s protective instincts toward his daughter.
Critical Considerations
While Maybe in Another Life succeeds admirably in most respects, it occasionally struggles with pacing in the middle sections. Some readers may find the coincidences required to maintain the parallel structure slightly too convenient, and certain secondary characters could benefit from deeper development.
The novel also raises questions it doesn’t fully answer about the nature of destiny and choice. While this ambiguity serves the story’s philosophical aims, readers seeking clear resolution may find themselves unsatisfied with the open-ended implications of the multiverse concept.
Cultural Impact and Contemporary Relevance
Reid’s exploration of sliding door moments arrives at a time when many readers are questioning their life choices and wondering about alternatives. The novel speaks to a generation comfortable with non-linear narratives and complex relationship dynamics, while addressing timeless concerns about finding one’s place in the world.
The book’s treatment of family—both biological and chosen—feels particularly relevant in an era where traditional family structures continue evolving. Hannah’s relationship with Ethan’s daughter in one timeline and her found family with Henry in another reflect contemporary understanding of how love and commitment can take multiple forms.
Similar Reads and Reid’s Literary Context
Readers drawn to Maybe in Another Life might appreciate other authors exploring similar themes of choice and consequence. Liane Moriarty’s The Husband’s Secret offers comparable explorations of how single decisions reshape multiple lives, while Kate Atkinson’s Life After Life presents a more literary take on parallel existence.
Reid’s subsequent novels, particularly The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six, demonstrate her evolution toward more ambitious storytelling while maintaining the emotional accessibility that makes Maybe in Another Life so compelling.
Recommended Similar Reads:
Sliding Doors meets contemporary romance in Cecelia Ahern’s The Gift
Liane Moriarty’s What Alice Forgot for memory and relationship exploration
Kate Atkinson’s Life After Life for more complex parallel existence narratives
Jojo Moyes’ Me Before You for emotional depth and life-changing decisions
Emily Giffin’s The Summer Pact for complex friendship dynamics
Final Verdict
Maybe in Another Life succeeds as both accessible romance and thoughtful examination of life’s infinite possibilities. Reid creates a story that honors the complexity of human relationships while entertaining readers with its inventive structure. The novel argues persuasively that there might not be one “right” path through life, only different routes to different types of fulfillment.
For readers seeking romance with substance and philosophy with heart, Maybe in Another Life delivers an emotionally satisfying experience that lingers long after the final page. It’s a novel that invites re-reading, not just for the pleasure of the story, but for the deeper contemplation of one’s own sliding door moments.
Reid has crafted a book that manages to be simultaneously comforting and challenging, suggesting that while we might not control our destiny, we retain the power to find love and meaning in whatever universe we inhabit. In the end, perhaps that’s the most romantic notion of all.