There’s something deeply refreshing about a craft book that doesn’t promise to make you a bestselling author overnight or offer a foolproof formula for creative success. Instead, Maggie Smith’s Dear Writer extends a warm, steady hand to guide you through the messy, exhilarating, sometimes terrifying wilderness of making art. Like sitting across from a trusted mentor at a café, this book offers wisdom without pretension, instruction without rigid rules, and encouragement without empty platitudes.
Smith, whose poem “Good Bones” went viral in 2016 and whose memoir You Could Make This Place Beautiful became a New York Times bestseller, distills her twenty years of teaching experience into ten essential principles of creativity: attention, wonder, vision, surprise, play, vulnerability, restlessness, connection, tenacity, and hope. But unlike many craft books that feel prescriptive, Smith’s approach is generous and expansive – she invites us to consider these elements as “expandable suitcases, unzipped to pack more and more meaning inside.”
Structure That Breathes
The book follows a consistent, thoughtful structure throughout. Each principle begins with a letter addressed to “Dear Writer,” followed by craft-focused essays and concludes with generative writing activities accompanied by reading recommendations. This organization creates a sense of intimacy while providing practical tools writers can immediately implement.
Smith’s approach feels distinctly different from other popular writing guides. Where Anne Lamott’s Bird by Bird offers a quirky, often humorous take on the writing life, and Elizabeth Gilbert’s Big Magic explores creativity through a spiritual lens, Smith stands firmly in the practical yet deeply personal middle ground. She balances technical craft advice with philosophical reflections on why we create at all.
What makes Dear Writer particularly effective is how Maggie Smith uses her own work as case studies. Rather than merely telling us to pay attention to line breaks or consider the music of our sentences, she shows us her own drafts, revisions, and thought processes. In a section on metaphor, she explains how “The rain is a broken piano, / playing the same note over and over” emerged from her then-five-year-old daughter’s observation. This transparency about her creative process feels like a rare gift.
Strengths That Shine
Smith’s greatest strength lies in her ability to demystify the creative process without diminishing its magic. She’s refreshingly honest about the realities of writing life, admitting she doesn’t write every day (contrary to common writing advice) and confessing to experiencing rejection, self-doubt, and creative blocks just like the rest of us.
Her discussions of craft are particularly illuminating. In the section on “The Line,” Smith offers one of the clearest explanations I’ve read about poetic line breaks: “Lines have a vertical energy: They pull down the page, almost as if gravity is tugging from the bottom of the page. Sentences, on the other hand, have a horizontal energy: They push across the page, beginning on the left and pressing toward the right margin.” This image of competing energies creates an intuitive understanding of a concept that can be difficult to articulate.
The section on “Pattern & Repetition” similarly offers concrete ways to understand abstract ideas. Smith walks us through her poem “Good Bones,” explaining how anaphora (the repetition of a word or phrase at the beginning of lines) helped her write the poem quickly. This kind of practical insight into a successful poem’s creation is invaluable.
Where the Book Could Dig Deeper
For all its strengths, Dear Writer by Maggie Smith occasionally skirts the edges of some of the more challenging aspects of the creative life. While Smith addresses rejection and the inner critic, she doesn’t delve deeply into systemic barriers that many writers face – the economic realities that make it difficult for some to access writing time, the publishing industry’s persistent inequities, or the particular challenges faced by writers from marginalized communities.
Additionally, though Smith includes diverse reading recommendations throughout, the book could benefit from more explicit acknowledgment of how different identities shape creative experiences. She mentions that readers should not write personas of people of color if they are white, but doesn’t explore the complex ethics of representation more broadly.
Some readers might also find Smith’s optimistic tone occasionally at odds with the harsh realities of publishing. While her encouragement is genuine and her advice about focusing on what you can control is sound, the contemporary literary landscape presents challenges that can’t always be overcome with tenacity and hope alone.
Memorable Insights and Practical Tools
What readers will likely appreciate most about Dear Writer are the actionable strategies Maggie Smith offers throughout. From revision techniques like typing a poem as a list of sentences to spotting its rhythmic patterns, to concrete prompts that push writers beyond their comfort zones, the book is filled with practical tools for immediate application.
Some of the most valuable sections include:
On Finding Your Voice: Smith reassures writers that we all start as “cover artists” before developing our own unique voices
On Constraint: A thoughtful exploration of how formal limitations can paradoxically lead to creative freedom
On Rejection: A refreshingly honest discussion of Smith’s “shadow CV” – all the rejections behind her successes
On Cross-Pollination: Strategies for finding inspiration across disciplines and art forms
On Community: The importance of finding trusted readers who can support your work
For Whom This Book Sings
Dear Writer by Maggie Smith will resonate most strongly with writers who:
Are seeking to deepen their creative practice rather than master commercial formulas
Appreciate craft advice that acknowledges both technical skill and emotional truth
Are interested in poetry but also write in other genres
Value reflective, meditative approaches to creativity
Are looking for permission to find their own path rather than follow rigid rules
While Smith’s primary genre is poetry, and many examples draw from her poetic work, her principles apply across creative disciplines. Fiction writers, essayists, memoirists, and even artists working in other media will find valuable insights throughout.
Final Thoughts: A Book to Return To
What distinguishes Dear Writer by Maggie Smithfrom many craft books is its refusal to present creativity as a linear process with guaranteed results. Instead, Smith embraces the cyclical, sometimes mysterious nature of making art. She writes, “I believe creativity is contagious, and when we put some of that into the world, it gets passed from person to person.”
This book itself is contagious in the best way – it makes you want to close its pages and immediately begin creating. Like a trusted companion, it’s the kind of book writers will return to repeatedly, finding new insights with each reading.
Smith ends with a powerful affirmation that encapsulates the book’s spirit: “I believe that the words will keep arriving. If, for whatever reason, the words aren’t coming right now, trust that they’ll be back. They always come back.” In a world that often devalues creative work, Dear Writer by Maggie Smith stands as a necessary reminder of why we create at all – not just to produce finished objects, but to engage in the transformative process of making.
For writers seeking not just techniques but a deeper understanding of the creative life, Dear Writer is a generous offering, a gentle push, and a steady companion for the journey.