In the neon-soaked landscape of 1987 Rhode Island, the widows we came to know and love in Young Rich Widows return with vengeance, sisterhood, and a healthy dose of hairspray in Desperate Deadly Widows. This second installment in the Widows series by Kimberly Belle, Layne Fargo, Cate Holahan, and Vanessa Lillie picks up two years after a mysterious plane crash took the lives of four mafia-connected law firm partners, leaving their wives to rebuild their lives from the ashes.
What makes this collaborative effort so delightful is how seamlessly the four authors weave their distinct characters together. Each widow has her own voice, her own baggage, and her own unique way of navigating the patriarchal world of 1980s Providence. The result is a fast-paced thriller that balances campy ’80s nostalgia with genuine emotional depth and feminist fire.
From Desperate to Deadly: Plot That Pops
Two years after losing their husbands, the widows have carved out new lives for themselves:
Camille (Belle’s character) runs a honey-pot operation, helping women catch their cheating spouses
Meredith (Fargo’s character) now owns the strip club where she once danced
Justine (Holahan’s character) juggles Harvard Law School and single motherhood
Krystle (Lillie’s character) battles to keep the law firm afloat while managing her wayward son
Their tentative peace is shattered when Mayor Tom Bradley drops dead in the champagne room of Meredith’s strip club during one of Camille’s sting operations. When Meredith is arrested for the murder, the widows must reunite to clear her name, uncovering a conspiracy that involves everyone from the mayor’s ex-wife Nancy Davenforth (Providence royalty) to his current wife Tara Jordan (a Wall Street shark), with the Davenforth scion Harrison caught in the middle.
The plot twists come fast and furious, with red herrings aplenty. The authors masterfully balance four distinct storylines while maintaining a cohesive narrative that builds to a yacht-based showdown worthy of a Miami Vice episode.
Power Suits and Power Plays: Characters That Command Attention
The true strength of Desperate Deadly Widows lies in its characterization. Each widow has evolved since we last saw her, but remains fundamentally true to herself:
Camille Tavani – The Southern belle with a steel spine navigates her growing feelings for Aiden Wyatt, the Narragansett attorney with Davenforth blood, while fighting to clear her name in the mayor’s murder. Her journey from manipulative seductress to devoted partner and maternal figure is particularly satisfying.
Meredith Everett – The former stripper turned businesswoman refuses to let anyone take away what she’s built. Her fierce independence sometimes pushes away those who care about her, but her loyalty to her girls and her friends never wavers. Her arc from boss to true leader shows meaningful growth.
Justine Kelly – The biracial former model and aspiring lawyer is torn between her ambition and her desire to provide stability for her son. Her relationship with the charismatic Harrison tests her principles and priorities in ways that feel authentic and complex.
Krystle Romero – The Italian matriarch from Federal Hill holds everything together with big hair and an even bigger personality. Her journey to recognize her son’s potential and release her iron grip on control provides some of the book’s most touching moments.
The villains are equally compelling, particularly Nancy Davenforth, whose ice-queen façade hides ruthless ambition, and Tara Jordan, the calculating second wife whose motives remain murky until the explosive finale.
Sisterhood and Solidarity: Themes That Resonate
While the mystery drives the plot, Desperate Deadly Widows is fundamentally about female friendship and solidarity. These women have built a found family through shared trauma, mutual respect, and genuine affection. Their bond is tested throughout the novel – especially when Justine seems to prioritize her budding relationship with Harrison over her loyalty to the firm – but ultimately strengthens.
The novel also explores themes of motherhood, with each woman taking a different approach:
Krystle’s overprotectiveness of her adult son
Justine’s struggle to balance career ambition with her son’s needs
Nancy’s manipulation of her son Harrison
Tara’s ultimate rejection of her maternal role
The contrast between the nurturing mother figures and the toxic ones provides a nuanced portrayal of how motherhood shapes both women and the men they raise.
The Good, The Bad, The ’80s: Style and Setting
The authors vividly recreate 1987 Providence with loving attention to detail – from the music (INXS, Duran Duran, and Salt-N-Pepa feature prominently) to the fashion (so much leopard print and shoulder pads). The setting feels immersive without descending into parody.
The four distinct writing styles complement each other well, though occasionally the transitions between perspectives can feel slightly disjointed. Each author brings her character to life with specific speech patterns and worldviews:
Camille’s Southern expressions (“sugar” is her trademark endearment)
Krystle’s Italian-American colloquialisms and Hill references
Meredith’s blunt, no-nonsense observations
Justine’s more measured, analytical approach
Room for Improvement: Critical Assessment
While Desperate Deadly Widows delivers on its promises, it’s not without flaws:
Pacing issues – The middle section drags slightly as the widows pursue separate investigative threads, and the final reveal feels somewhat compressed by comparison.
Complexity overload – The web of connections between characters occasionally borders on convoluted, particularly the relationship between the Davenforths, the tribe, and the competing development plans.
Convenient coincidences – Some plot developments rely a bit too heavily on characters being in the right place at the right time.
Uneven character development – While Camille and Justine receive substantial personal growth arcs, Meredith and Krystle’s development feels somewhat truncated in comparison.
Despite these quibbles, the novel delivers satisfying emotional payoffs for readers invested in these characters, particularly in the epilogue that brings the widows together for a heartwarming celebration of their chosen family.
The Verdict: Deadly Entertaining
Desperate Deadly Widows builds successfully on the foundation laid in Young Rich Widows, deepening our understanding of these complex women while maintaining the campy fun that made the first book so engaging. The collaborative nature of the project results in a novel that feels more cohesive than many solo efforts, with each author playing to her strengths while serving the larger narrative.
Fans of the first book will find much to love here, while newcomers can jump in without feeling lost (though they’ll likely want to go back and read the origin story). The novel works both as a standalone mystery and as a character-driven sequel that rewards readers familiar with the widows’ backstories.
For readers who enjoy female-centered thrillers with a healthy dose of ’80s nostalgia, Desperate Deadly Widows hits all the right notes. Think Big Little Lies meets Dynasty, with a dash of Working Girl thrown in for good measure.
Who Should Read This Book?
This novel will particularly appeal to readers who enjoy:
Strong female friendships at the core of thriller plots
’80s period settings with authentic details
Multiple POV narratives with distinct voices
Stories of women reclaiming their power
Rhode Island/New England settings
Legal and crime drama with a feminist twist
If you enjoyed other collaborative series like The Pitch Dark duo by Hendricks and Pekkanen, or female-centered thrillers like The Guest List by Lucy Foley or The Next Mrs. Parrish by Liv Constantine, the Widows series should be next on your reading list.
Final Thoughts
Desperate Deadly Widows confirms what Young Rich Widows suggested: these four authors have found something special in their collaborative process. Their widows are complex, flawed, and thoroughly engaging characters navigating a world designed to underestimate them at every turn.
The novel ends with enough resolution to satisfy, while leaving plenty of potential for future adventures. Whether the widows return for a third installment or not, their journey from desperate to empowered stands as a testament to the power of female solidarity in the face of seemingly insurmountable odds.
One thing’s certain: these widows aren’t just surviving—they’re thriving, one champagne toast at a time.