Synopsis:
In Steel Slides and Yellow Walls, Alicia Swain navigates the labyrinthine journey women undergo to form their identities. Through a feminist lens and distinctive voice, her collection veraciously portrays the trials that forge women into sagacious, resilient adults. From contemplation of how to balance mental health despite knowing what tribulations are sure to come, to the title poem’s exploration of how traumatic memories can continue to haunt in the most unexpected situations, Swain offers a look at the diverse experiences that mold women into the tenacious beings they are.
Favorite Lines:
As I do with all my short story and poetry collection reviews, rather than sharing favorite quotes, I am sharing a couple of my favorite poems from the collection: Melancholy Sea and Progress.
My Opinion:
I received a copy of this book from the author in exchange for my honest opinion.
Swain’s debut poetry collection is arranged in four movements—ASK, EXPERIENCE, RECOVER, and GROW. The early poems interrogate everything we’re taught to revere (church, family, small-town courtesy), and the questions don’t land politely; they leave scorch marks. By the time we reach “Recover,” you can feel the speaker’s lungs straining for air, every line break a gasp.
What hooked me first was the mash-up of bodily grit and lit-class reference. One minute we’re in a fluorescent corridor counting bruises, the next we’re weighing “fire and brimstone” against the smell of burning pages . That collision—philosophy crashing into living tissue—makes the anger ring out. Yet there’s tenderness too, tucked between the ribs: Swain lets small moments of care flicker in, just long enough to keep the reader breathing.
Structurally, the poems feel like they were written on a tightrope. White space widens whenever the emotion tips toward overwhelm, then contracts to a single punch-in-the-gut sentence. Repeated images—yellow paint, steel playground equipment, water—stitch the book together, so even the looser, more experimental pieces never drift far from the central pulse. It’s a risky balance of accessibility and formal play, but it pays off.
Readers who appreciate lyric experimentation will find plenty to admire, while those new to contemporary poetry will still be carried along by the clarity of the speaker’s emotion.
Summary:
Unflinching yet ultimately restorative, Swain’s debut is for readers who crave poetry that stares down cruelty and answers with hard-earned self-authority. If you value collections that marry bold feminist critique with lyrical grace, Steel Slides and Yellow Walls deserves a place on your shelf. Happy reading!
Check out Steel Slides and Yellow Walls here!