Sara Raasch and Beth Revis have crafted something truly extraordinary with The Crimson Throne—a historical romantasy that breathes fresh life into the tumultuous court of Mary Queen of Scots while weaving in elements of fae magic that feel both authentic and innovative. This collaboration between two New York Times bestselling authors demonstrates what happens when meticulous historical research meets boundless imagination.
Where History Meets Magic: A Perfectly Balanced Foundation
The novel’s greatest triumph lies in its seamless integration of historical accuracy with fantastical elements. Raasch and Revis have taken the documented tensions between Mary Queen of Scots and her volatile husband Lord Darnley, along with the mysterious circumstances surrounding David Rizzio’s brutal murder, and used these events as the backbone for a story that feels both grounded in reality and elevated by magic.
The authors’ commitment to historical authenticity shines through their detailed portrayal of 16th-century Scottish court life. From the political machinations surrounding Mary’s refusal to grant Darnley the Crown Matrimonial to the complex web of noble alliances, every historical detail serves a purpose in advancing both plot and character development. The inclusion of real figures like Lord Bothwell and the various Scottish lairds adds layers of authenticity that history buffs will appreciate.
What sets this book apart from other historical fantasies is how naturally the magical elements emerge from Scotland’s own folklore. The Red Caps—malevolent fae creatures that feed on bloodshed—are drawn from genuine Scottish mythology, making their presence feel organic rather than forced. The barrier between Scotland and England isn’t just political; it’s magical, maintained by Leths (half-fae guardians) who protect both worlds from ancient evils.
Complex Characters That Defy Convention
Alyth Graham emerges as a refreshingly complex protagonist who embodies the book’s central themes of power and identity. As the bastard daughter of a fae prince, she exists in multiple worlds simultaneously—neither fully human nor fae, neither powerless nor completely in control. Her ability to see magical auras provides fascinating insights into other characters’ true natures, but it’s her internal struggles with duty versus desire that truly drive the narrative.
Alyth’s characterization avoids the typical “chosen one” tropes that plague many fantasy novels. Instead, she’s a reluctant guardian who questions her role while remaining fiercely protective of those she serves. Her relationship with Queen Mary is particularly well-crafted, showing both the genuine affection and the underlying tensions that exist between a queen and her magical protector.
Samson Calthorpe proves equally compelling as a character wrestling with his own mysterious nature. His curse—which causes violent blackouts—initially appears to be a burden inflicted upon him, but the revelation of his true Red Cap heritage transforms our understanding of both his past and his potential future. The authors handle his internal conflict with remarkable nuance, showing how someone can be fundamentally good while carrying the blood of creatures known for violence.
The romantic tension between Alyth and Samson crackles with authenticity. Their relationship develops organically through shared danger and mutual recognition of each other’s hidden natures. Rather than instalove, we witness a gradual building of trust, understanding, and genuine affection that feels earned by both characters and readers.
A Plot That Balances Multiple Threads Masterfully
The conspiracy at the heart of The Crimson Throne operates on multiple levels, from the immediate threat of Darnley’s assassination attempts to the larger machinations of the mysterious High Blade. Cecil’s role as both spymaster and manipulative father adds personal stakes to the political intrigue, while the revelation that Queen Elizabeth herself may be the true puppet master provides a shocking twist that recontextualizes everything that came before.
The pacing demonstrates remarkable control, alternating between intimate character moments and high-stakes action sequences. The attack on David Rizzio serves as both historical recreation and pivotal plot point, showing how the authors can honor documented events while adding their own magical interpretation. The climactic sequences maintain tension without sacrificing character development, ensuring that readers remain invested in both the political outcomes and personal relationships.
Prose That Captures Both Eras Perfectly
Raasch and Revis have developed a distinctive voice that feels appropriately period without being archaic or difficult to follow. Their dialogue captures the formality of court speech while remaining accessible to modern readers. The alternating perspectives between Alyth and Samson provide distinct narrative voices that reflect their different backgrounds and worldviews.
The descriptions of both magical and mundane elements demonstrate the authors’ commitment to sensory detail. From the wild Scottish highlands to the opulent interiors of royal chambers, every setting feels fully realized and purposeful to the story’s development.
Minor Criticisms Within an Otherwise Excellent Work
While The Crimson Throne succeeds on virtually every level, a few elements could benefit from further development. Some secondary characters, particularly among the Scottish nobles, occasionally feel more functional than fully realized. The magical system, while intriguing, could use additional explanation regarding its limitations and costs.
The revelation about Elizabeth’s true nature, while dramatic, might have benefited from additional foreshadowing throughout the earlier chapters. As it stands, this twist feels slightly disconnected from the main narrative thread, though it certainly sets up intriguing possibilities for future installments.
A Series That Promises Even Greater Things
The Crimson Throne serves as both a satisfying standalone story and the foundation for what promises to be an exceptional series. The historical note reveals that the authors plan to explore Elizabeth’s story further, suggesting that the magical conflicts established here will continue to ripple through British history.
The book’s ending provides resolution for the immediate threats while establishing larger conflicts that will drive future installments. This balance between closure and anticipation demonstrates sophisticated series planning that respects readers’ need for satisfaction while building anticipation for what’s to come.
Why This Book Matters in the Historical Fantasy Landscape
In an increasingly crowded field of historical fantasy, The Crimson Throne distinguishes itself through its commitment to both historical authenticity and imaginative world-building. Unlike many books that use historical settings merely as window dressing, Raasch and Revis demonstrate genuine understanding of and respect for the period they’re depicting.
The book also succeeds in creating a fantasy world that feels genuinely Scottish rather than generically European. The integration of actual Scottish folklore and the authors’ clear love for the country’s wild beauty create a setting that feels both magical and authentic.
Perfect for Fans of Smart Historical Fantasy
Readers who enjoyed works like Outlander, The Once and Future Witches, or The Ten Thousand Doors of January will find much to love in The Crimson Throne. The book particularly excels for readers seeking:
Historical accuracy combined with creative magic systems
Complex political intrigue with personal stakes
Romance that develops naturally alongside external conflicts
Strong female characters who balance duty with personal desires
Rich worldbuilding that honors both history and folklore
The Authors’ Growing Mastery
Following their successful collaboration on Night of the Witch and Fate of Magic, Raasch and Revis have clearly refined their collaborative process. The Crimson Throne demonstrates increased confidence in blending their individual strengths while maintaining a cohesive narrative voice throughout.
The book builds upon themes established in their previous work while exploring new territory in terms of historical period and magical concepts. This evolution suggests that their partnership will continue producing increasingly sophisticated and engaging works.
Similar Reads for Historical Fantasy Enthusiasts
Readers seeking similar experiences might enjoy:
The Priory of the Orange Tree by Samantha Shannon – for epic fantasy with strong female characters
The Bear and the Nightingale by Katherine Arden – for folklore-based fantasy with historical elements
The Witch Haven series by Sasha Peyton Smith – for historical fantasy with magical societies
The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid – for complex female characters (though contemporary)
The Invisible Life of Addie LaRue by V.E. Schwab – for magical realism with historical elements
Final Verdict: A Triumphant Historical Fantasy
The Crimson Throne represents historical fantasy at its finest—a book that honors the past while creating something entirely new and magical. Raasch and Revis have crafted a story that satisfies on every level: as historical fiction that respects its source material, as fantasy that creates a believable magical world, and as romance that develops organically between compelling characters.
This is the rare book that will appeal equally to history enthusiasts, fantasy lovers, and romance readers. More importantly, it’s a book that demonstrates how historical fantasy can illuminate both past and present by exploring timeless themes of power, identity, and the courage required to fight for what’s right.
The Crimson Throne establishes itself as essential reading for anyone seeking intelligent, well-crafted historical fantasy that respects both history and imagination. It’s a book that reminds us why the collaboration between talented authors can produce something greater than the sum of its parts—and why the best historical fantasy makes the past feel vibrantly alive while speaking directly to contemporary concerns.