This daring, fast-paced, bionic action-hero’s supercharged origin story serves Gen V energy.
Archived lab records, family secrets, tormenting flashbacks, and an action-packed 1950s sci-fi setting bring this graphic novel to daring, dynamic life.
SWANBLADE: Year Zero is a superhero origin story that sees the sharp claws of bioengineered genetic experiments collide with tangled, twisted human emotions. SWANBLADE is what happens when a man obsessed with the local superhero’s teenage daughter gets his hands on classified files, forcing confrontations that throw a wrecking ball into society as they know it. Author D.K. Kristof’s writing is charged with the expectation of personal betrayals and city-wide corruption. Readers can hear the city’s clanging mechanical infrastructure, while smoke-laden scenes pull the reader along in suspense.
“Something’s coming, Buck. And we’re too busy patting ourselves on the back to notice we left the door wide open.” It’s been ten years since New Radion Bay automated its police system, and the success of this robot-enforced peace is reinforced by low crime stats, but Police Commissioner Cain refuses to believe it’s permanent. He warns his friend Buck, a retired superhero, to stay alert, and he’s absolutely right; the unquestioned calm left loopholes in their city’s highly-computerized security systems.
Decades earlier, long after he and Cain survived the war as young soldiers, Buck had survived an explosion at the experimental facility where he was chief engineer. “The radiation damage was extensive,” we learn from his friend Yoriko Takeda, who co-founded the facility, now a powerful corporation. “The only way to fix Buck was to change him” using technology that she stole from the Japanese government in an effort to right their wartime wrongs. Soon, his organs were either replaced or enhanced.
Yoriko saved Buck’s life and made him stronger than ever—which kickstarted his career as a beloved crime-fighting superhero—but created a new problem: Biologically-supercharged Buck could not impregnate his very-regular human wife. Ashamed of the cysts on her ovaries which made reproductive intervention complicated, Buck’s wife asked Yoriko to use whatever boundary-pushing science it took for them to have a child, without telling Buck the truth.
Yoriko kept her promise, performing an in-vitro procedure with a secret “work-around” to create “an egg from sequenced DNA found in stolen research.” When their daughter Kayla was born, “the secret to her existence slowly faded into the deep, dark archives of [the corporation,] Takeda Dynamics.” Unfortunately, nineteen years later, a man named Simon has made it his business to access the corporation’s confidential files.
SWANBLADE gives Simon a perfectly chilling introduction: His handwritten notes creep into the typed narrative pages, nudging paragraphs apart in the same way his demanding delusions interrupt the city’s ordered reality. “[Kayla] is everything,” Simon writes, with terrifying implications: “Everything can be broken; broken things can be fixed; if I fix her, then I make her; if I make her, she is MINE.” He works at the Takeda-owned cryo-prison where he reads encrypted files and buries “quiet lines of dormant code” into routine computer system checks.
When Simon finally meets Kayla, he clumsily drops his sketchbook, scattering nude drawings of her in full view of the teenage girl and her father. Buck is reasonable and polite when he has Simon escorted out, but the event triggers Simon to set his secret plan in motion: He overrides the Ice Cube’s security system, unfreezing its powerful prisoners with instructions to kill Buck and provoke apocalyptic chaos throughout the crime-free city. Hours after the attack, Kayla wakes up in a secure medical ward, where she notices that her left arm is now “a bandaged stump,” and her legs “wrapped stumps from below the knee. Gone. Both of them.” In the same moment, she learns that her superhero father is dead, his body in a morgue two floors down.
Yoriko fits Kayla with prosthetics almost immediately, the exceptional bio-tech eliminating any learning curve or adjustment period, infusing her body with combat-ready strength.Knowing that Kayla will go out and fight for her city, she’s also given a stab-resistant bodysuit, a fireproof cape, and a face mask that allows her to switch between x-ray and heat vision with a series of blinks. “The EMP-hardened mesh Yoriko had stitched into Kayla’s limbs drank current and refused obedience. She flexed once, felt something let go, and tore free.”
The tech is cool, but Kayla’s amputation feels incidental—like a stepping-stone to bionic life. She flourishes without adjustment, without mourning the able-bodied teenage dancer she was just hours earlier. Readers are haunted by the illustration depicting her in a hospital wheelchair with three amputated limbs, but the shocking scene seems to have no impact on Kayla. She lost her devoted father and three limbs, all at once, then reconfigures her reality without looking back, asking why, or struggling with it.
SWANBLADE touches on the questionable ethics of genetic experimentation and infuses heart-stopping beats of quiet sadness into its acknowledgement that generations of men were “young, too young” to be sent to war. It briefly explores the consequences of robots replacing a human workforce when the Ice Cube’s computer network infects the robotic police force with a virus, leaving them “no better than scrap”—exacerbating city-wide panic and creating fresh demand for a robotic workforce when “for the first time in decades, the tellers and managers were nervous to show up for their shifts.”
In its most divine moments, author D. K. Kristof describes frost blooming like lace across glass chambers, the city park breathing in smoke, and the light of dawn kissing bedsheets. I will always remember the magnificent personification when Kayla noticed “the red light on the nearest camera wink to life,” how “cameras clicked like chattering teeth” and dust “hovered midair like a held breath.”
That said, the writing style can at times feel a bit robotic, depending on three-word sentences and three-sentence repeats. There’s poetic phrasing found elsewhere in the novel, but it can cause some second guessing of the logic of phrases.
Highly engaging and sparkling with intrigue, SWANBLADE takes the action-packed road to its sweeping cinematic battles, but its most compelling characters are kept at a distance from the reader, where their motivations and meaningful existence are denied. There’s also a distinction in how different genders are portrayed: The women in this story are secretive and seductive, either victims or conniving schemers, sexualized by men while doing their jobs. The men are heroes and visionaries, upstanding citizens who always make the strong choice, for which history remembers them kindly. They are lustful protectors, righteous and brilliant. This feels particularly important to note when we consider that SWANBLADE’s titular character is a young woman forced to confront her bodily autonomy after being denied her own biological history and learning that she trusted the women who made reproductive health decisions in secret on her behalf.
With its heavily-redacted medical files and biologically-supercharged secrets, SWANBLADE will appeal to fans of the similarly-twisted superteen-origin story, Gen V. Whether or not author D.K. Kristof delivers the character depth that I seek, I’m certain the next installment will continue SWANBLADE’s hot streak of dazzling explosions, daring villains, and a city reinventing itself after unfathomable disasters.
The post SWANBLADE by D.K. Kristof appeared first on Independent Book Review.